Showing posts with label Marvel. Show all posts
Showing posts with label Marvel. Show all posts

Sunday, December 24, 2017

Top Six Best Movies of 2016

Honorable mentions go out to Suicide Squad for managing despite massive studio interference to somehow make a better superhero movie than Captain America: Civil War and a better ensemble action movie than all three Expendables films, but all in all, it moved a bit too fast to earn itself a spot on this list. I'd also like to give a shout-out to Finding Dory, while it was a damn good movie, it still wasn't The Incredibles 2. Jason Bourne was also pretty good, having less shaky-cam in it than the last canonical Bourne movie, but it wasn't quite as enthralling as it possibly could have been. Warcraft also gets a nod because it had a lot of potential and pretty visuals, all of which were ultimately wasted on a mediocre fantasy movie.
#6: X-Men Apocalypse
Coming out later in the same month as Captain America: Civil War was the best thing that could have happened to X-Men Apocalypse. After seeing my favorite superhero destroyed I was in the mood for some classic, animated-series-style X-Men, and boy did they deliver. While not being a perfect adaptation of the Apocalypse storyline from the comics, this film was at least thematically similar and felt like the Apocalypse storyline, which is saying something considering what Tom Rothman and Brett Ratner did to the Dark Phoenix Saga. Apocalypse actually feels like the ancient mutant monster he's supposed to be, and above all, this feels like an X-Men movie more than it feels like a muddled fever-dream put together by someone who had only ever vaguely heard of the X-Men and the storyline concepts from people on the street.
#5: Doctor Strange
After the disaster that was Captain America: Civil War, and the complete mess that was the 2016 Marvel television lineup, I wasn't expecting Doctor Strange to turn out as good as it did. In a lot of ways, this movie was the Ant-Man of 2016, an unexpectedly good movie that followed on from a bafflingly bad Marvel crossover film. Benedict Cumberbatch dominates this role like he does any other, and his American accent never once slips or sounds unnatural. I think that this movie might be one of the few classic origin-stories we've seen in recent years, all the while being far better at telling its story than almost every other equivalent it had in the early 2000's. In a lot of ways, this movie reminds me a lot of films of the 1970's and 80's, films like Commando, Ghostbusters, Top Gun, Rocky, Alien, Star Wars, and Kickboxer. They start, they introduce the heroes, the villains, the driving conflict of the plot, the hero does whatever they need to to prepare, the heroes and villains face off, then they face off again in the climax. Simple, to the point, paced out perfectly, and creates a satisfying conclusion. Hardly any films do that these days, most of the time they either spend way too much time on minutiae (Ghostbusters: Answer The Call) or speed past all the relevant details for meaningless action (The Expendables)
#4: Deadpool
2016 was a hell of a year to not be a mainline Marvel film. Marvel Studios only managed to produce one good movie based on their properties, while Fox managed to produce two. Deadpool is a character Fox never wanted to make a movie out of, but thanks to fan demand and some leaked test footage, he finally got his own film. Sections of the film were reportedly shot without permission from the studio, and the filmmakers managed to work around a smaller budget to create a damn great movie. Here's hoping that when Deadpool 2 comes along it manages to top this movie in every way.
#3: Rogue One: A Star Wars Story
I was somewhat cautious about Rogue One going into it. I thought it might just be a soulless cash-in Disney was making to wring every bit of money they could out of the Star Wars universe, but it actually did the impossible by making A New Hope, one of the greatest films ever made, into a better movie. I was stunned by the storytelling, the effects, and the continuity between it and the original Star Wars. They managed to resurrect dead actors and make old ones look young again, all through incredible use of CGI that would make George Lucas weep. Rogue One is not just one of the best Star Wars movies ever made, but an example of how to do a prequel right. It might even be higher on the list if they'd managed to get a good take of Darth Vader's lines, and hadn't criminally underutilized Mads Mikkelsen.
#2: Star Trek Beyond
When I first watched this film, I was awestruck. This was one of a very few movies that I've watched that I immediately thought "This is a Best Picture contender." By the end of the movie I was convinced that this would be in my top five (now six) at the end of the year. Star Trek Beyond is the best of the three Star Trek reboot movies, not that the previous ones weren't pretty damn good too, but that this was a cut above the rest. Star Trek Beyond is easily the best Trek film since First Contact, and I don't say that lightly. Not only does it feel a lot like a Star Trek movie, it also feels like it could be a giant episode of the TV series, which for once isn't a negative aspect of the film.
#1: Batman v Superman: Dawn of Justice Ultimate Edition
Speaking of being a good year to not be a Marvel Studios film, I looked back hard. I watched a lot of movies from 2016 to try and populate this list, but not a single one of them compared to the sheer stature of Dawn of Justice. I debated whether I wanted to make Star Trek Beyond my best movie of 2016 or this, but in the end, BvS won out. With hidden depths and allegories requiring multiple viewings to fully comprehend, even with everything it had working against it in terms of studio interference and blatant critical bias, this was almost certainly the single greatest film of the year. The performances of everyone involved greatly impressed me, the score from Hans Zimmer and Junkie XL is stupendous, the writing and pacing is supurb, and Zack Snyder's direction manages to set new standards for filmmaking that I don't think will be able to be topped for a long time.




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Saturday, December 23, 2017

Top Five Worst Movies of 2016

#5: Warcraft
I was torn over this movie when I reviewed it, but over time I ultimately decided there were too many problems with Warcraft to not put it on the list. From the lack of European accents, to the fact that we seem to be starting this series in the middle of a trilogy, to the strange editing, as much as I hate to admit it, this film just kinda sucks. No two ways about it, the people working on this movie really screwed up what could have been an amazing trilogy of films. I hope a sequel comes along, or a prequel, but at this point, I doubt that that's likely to happen. Shame really, I would love to see more of this if they'd bother to do it right next time.
#4: Ghostbusters: Answer The Call
Of course this movie was going to be here. I had a spot on this list reserved for Answer The Call as soon as I saw the movie. It's not bad enough to put higher up on the list, but Jesus fuckmothering Christ this managed to find new ways to not be funny, or to fail as a movie. Warcraft was at least a beautiful movie, Answer The Call somehow manages to screw up even the ghost effects. CGI bleeding out of the letterbox, ghosts that look like they were ripped from Luigi's Mansion, and a whole movie made from less than half of another one? Sony, why did you think this would work?
#3: The Angry Birds Movie
For as much as Answer The Call caused me to sigh with contempt, The Angry Birds Movie actually made me kind of mad, funnily enough. Not wildly mad, just angry enough at the premise, the characters, the plot and the running time that I remembered it enough to put it in this slot of the list. This movie is the most copy-paste, derivative children's film that I've seen in years. Notice that I said "children's film," Answer The Call and my number two pick are also massively derivative.
#2: Sausage Party
Any other year, this might have been the worst movie released. With the same plot and characters as Angry Birds, but more irritating characters and story, Sausage Party actually stirred up a rather significant amount of anger in me. This movie can go die in a fire and I hope we never get any sequels. For as much as this movie should work, it just fucking doesn't. Fuck this movie, but special thanks to Seth Rogen, who apparently liked my review (Or at least liked my tweet about it without reading the review).
#1: Captain America: Civil War
I heavily debated what I would pick as the worst movie of the year, but all in all, there wasn't a single movie in 2016 that made me as angry, sad, and disappointed as Captain America: Civil War. Made solely to cash in on the superhero versus trend that Marvel figured would start with Batman v Superman: Dawn of Justice, but Marvel seemed to forget that they were the trendsetters of the last decade, not the trend-followers. With an incoherent plot that depends entirely on coincidence, the Russo's not only managed to screw up Iron Man, Captain America and Black Widow, but also Baron Zemo and freaking Spider-Man. "Miscast" is an understatement when referring to Tom Holland's version of Spider-Man. His powers are inconsistent, he's obviously hiding his foreign accent, his suit is somehow less comic-accurate than the one from the Raimi movies or The Amazing Spider-Man, and he literally just shows up for two scenes and then is gone from the movie. Iron Man reacts like an idiot, Captain America was a moron for not telling Tony about his parents being killed by Hydra, Zemo's plan shouldn't work, and Black Panther doesn't stop the fighting once he captures Zemo. I covered this piece of glorified trash enough in my review though, so you can search for that on the site if you want to know more about why this movie is a complete disaster.

For the most part, Sony dominated this list, which isn't a surprise considering what they were putting out last year.

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Thursday, November 23, 2017

Top Five Best Movies of 2015

Yeah, it's late but at this point, I've been sitting on this too long to just delete it, so here we go.

#5: Ant-Man
Right off the heels of Avengers: Age of Ultron, Ant-Man was a surprisingly good movie when the MCU was taking such a horrible turn for the worse. This film was better than it had any right to be, especially considering how bad Age of Ultron turned out to be.

#4: Kamen Rider Drive: Surprise Future
What can I say? This was a good year to be paying attention to anything but the big Hollywood films. In fact, I probably spent more of 2015 watching Kamen Rider movies and episodes than I spent thinking about the mainstream films of the year. I don't know, Kamen Rider Drive connected with me better than Age of Ultron did, and I'd been following the MCU for almost a decade by the time that film came out.
While Surprise Future ties rather heavily into the plot of the corresponding television show, it's a very good movie regardless. Part of that has to do with the fact that it had a large general development of the characters over the course of the series, but it all comes down to the amazing writing, acting, and directing in this movie. It's all up to the standard of the rest of the series, and all of it falls together rather perfectly with the preceding and succeeding episodes.

#3: Straight Outta Compton
I knew as soon as I saw this film that it was going to end up on my best of the year list. This film is an emotional journey through the lives and careers of the members of NWA, and it bloody rules. If you're a fan, it's a good movie. If you're not, you'll be a fan by the end.

#2: Star Wars Episode VII: The Force Awakens
Another movie I knew was going to be on my best list as soon as I saw it. The Force Awakens is the best Star Wars film since Return of the Jedi, easily. But then again we already knew that from my review.
#1: Blood Punch

Like this is any real surprise. Blood Punch is easily the best film to come out of the wasteland year that 2015 turned out to be.  Blood Punch turned out to be one of the most unique, funniest horror films I've ever seen, and it deserves all the praise it can possibly get. After some consideration, I finally decided it was better than my #2 pick. If you haven't seen it, buy it on Blu-ray, it's a movie you'll want to see over and over again to pick out the details.












The hardest thing about putting this list together wasn't deciding the top spot, I had the top four spots solidified by the end of January of 2016. The tough part was remembering a fifth good movie from 2015 that I'd watched, and eventually, I remembered Ant-Man.




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Thursday, January 5, 2017

Top 5 Worst Movies of 2015

This is approximately a year late, but this at least means I've had the time to think my choices over, eh? Sorry that this has taken so long, I've been trying to find time between all my other writing and plenty of other things I've been working on over the course of the year, but generally speaking I've just been some combination of busy or tired over the course of the year and never got around to it. With record-breaking lateness, here are my top five worst movies of 2015.

Dishonorable mentions: Super Hero Taisen: Kamen Rider 3. This movie had a damn interesting premise and would have worked well as a mini-series centered more around the characters from the last Kamen Rider movie rather than introducing a whole new cast of supporting characters from previous Rider series instead of utilizing the Riders we know work well with Shinnosuke. Instead, we got a movie that goes by way too quickly, as previous Kamen Riders fight as part of an incredibly weak premise that sounded strong at the get-go. The sequel mini-series, Kamen Rider 4 was far more interesting, yet it still had its own issues as well. If they took the two premises and combined them, then lengthened the whole thing to about twelve episodes worth of content it would have probably worked out fairly well. As it is, we got a rather interesting movie and sequel series, both of which rushed to a rather anti-climactic conclusion.
Another honorable mention would be Kung Fury. This short-film could have been something great, but it squandered its potential in the ending and the last half of the first act. Generally speaking, it's a damn fun movie, but it could do with a bit better pacing. It's not bad enough to work its way onto the worst list but not good enough to make it onto the best.
Finally, we have The Avengers: Age of Ultron. While not a bad movie by any means, it deserves a mention due to how badly they squandered most of the concepts they had. The fight-scenes were cool, and I didn't even dislike the rather strange social-interactions the team had, but it wasn't paced particularly well, it was way too short, and worst of all it squandered all of the development between Cap and Widow in The Winter Soldier and all of the development between Bruce and Betty in The Incredible Hulk. Whedon also seemed like he was sleepwalking through the direction in this film, because all of the funny writing is still here, but the comedic timing is all off from his previous works. I especially noticed this when I re-watched Firefly immediately afterward. Now let's dig right into the actual list!

#5: Selma
I'll be honest, Selma wouldn't be here if it wasn't for the fact that it flies in the face of actual history that actual people who are still alive remember. I soured on this film over time even more than I was when I originally saw it. A movie about the civil-rights movement is a bad idea anyways, because it's a concept more fit for a miniseries than it is for a single two-hour movie. Also, don't make a movie about a great orator if you don't have the rights to their speeches. That'd be like making a movie about a musician without the rights to their songs. Not to mention the rather bizarre soundtrack choice with the references that make no sense. The cast is good, the pacing sucks and this film is just generally over-rated. There are worse movies, worse movies that were released in 2015 no less, but the history buff in me demanded that I put it somewhere on this list.



#4: Fant4stic
I saw this on Blu-ray before the official home-media release, and let me just say that this film was a fairly massive trainwreck for a number of reasons I went over in my review. Quick rundown; Complete and utter ignorance of modern science. Ignorance of how the world would react to the events of this movie. Ignorance of the procedures required for space-travel. General ignorance of basic things. You get my drift. This movie had potential, but between Fox's meddling and the fact that Josh Trank was trying to make Chronicle 2 originally, the final product was a boring, uninteresting mess.

#3: Smosh: The Movie
You know you're scraping the bottom of the barrel when you rip off Fred: The Movie. You know the mighty have fallen when the movie they make isn't as entertaining as watching 90 minutes of their videos would be. Smosh, I hope y'all took a step back after this and tried to do better. You guys used to be funny, you could even be considered some of the funniest people on the web, but you fell hard within the course of a few years. Don't feel like saying much else about this movie, I've talked about it at length in my review. Suffice to say that it's a piece of crap not worth spending your time on.

#2: The Ridiculous 6
For everything one might have hoped this film would be from the opening sequence, it certainly didn't live up to any of it. It's an Adam Sandler movie, as one would expect. Amazing to see that they somehow managed to make it all the way through production without anyone raising a hand and saying "This is stupid, get out of here Adam and let a good writer handle this." They never once flagged that Taylor Lautner would have been a better lead than Sandler, they never once figured it'd be a good idea to cut the cast down to him, Luke Wilson and Terry Crews. Netflix, I hope you learned your lesson, because Adam Sandler certainly won't.

#1: Jupiter Ascending
If there was a bigger, more derivative piece of crap in 2015, I don't know about it. The Wachowski's failed harder than they ever did before when they made this movie. I don't think there was a single other movie in 2015 that made me quite as angry as this film. To put it bluntly, this film rips off everything under the sun and does it all badly. If you can think of anything, Jupiter Ascending ripped it off. From Twlight to Power Rangers, from Cinderella to The Matrix, from Pacific Rim to Soylent Green. This thing steals it all and does it horribly. The best part of this film is Sean Bean and Channing Tatum, but that's not saying much. If you want to know more about this horrible movie, just read my review. I've said plenty about this film already, and I can't list off everything that was wrong with it again.

That's it for now, I'll see you later with the "Best" list from 2015.
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Sunday, June 5, 2016

X-Men Apocalypse

We seem to have yet another Batman v Superman case on our hands, an incredibly polarizing film that shakes up the dynamics of the universe, hated by some critics and beloved by others, packed with action, character, and awesome moments. The difference is that the sides aren't even switched around, they're just mixed up this time, with people who liked and hated BvS alike have been taking the same sides on this film.
As someone who really, really  liked Dawn of Justice, this film was brilliant. It's just a shame it's not out-selling the far inferior Captain America: Civil War. Yes, I'll go that far. Between this film and Deadpool, Fox has had a much better showing this year than Marvel has, at least in the theaters. Season two of Daredevil was awesome, and while The Punisher, Luke Cage, the second season of Jessica Jones, and Doctor Strange might make up for its failings later in the year, at the moment it's not looking too good for Marvel's main stuff.
X-Men Apocalypse takes place in the 1980's with the cast of First Class, with a few members of the classic X-Men and characters made famous by the 90's animated-series added in for good measure. We've got Jean Grey, Cyclops, Jubilee, Angel, Nightcrawler, Storm, Psylocke, and probably others in the background. Jubilee doesn't really do much, which is a shame, but I'm glad she's finally something more than a background character. Angel also plays a much more critical role in this movie than he did in X3, as anyone who knows the Apocalypse storyline would know. Nightcrawler actually sticks around for the whole movie, which is longer than he was in X2 for, the one thing I really didn't like about that film. Returning from previous post-First Class films are Mystique, Charles Xavier, Magneto, Havoc, Beast, Wolverine, and my personal favorite, Quicksilver!
X-Men fans will basically know how this movie goes, but for those who don't know the comics or the animated series very well, spoilers inbound. Yes, I know I already said that Wolverine is in this movie, but it's an X-Men film, Wolverine has been in every X-Men film to date in some respect, he was even in Deadpool in spirit.
So, after head-trauma, Scott Summers' (Played by Tye Sheridan) mutant powers manifest in a much less overpowered, yet incredibly similar way to the way they emerged in X-Men Origins: Wolverine. Due to the way they changed the past in X-Men: Days of Future Past, Scott is not abducted by the people behind the Weapon X program and is instead taken by his brother, Alex Summers (Played by Lucas Till, looking the most like Matt Smith he ever has) to the Xavier mansion to get his signature ruby-quartz sunglasses, made by Hank McCoy (Played by Nicholas Hoult), which prevent his eye-beams from wreaking havoc like they do. At the mansion he meets Jean Grey (Played by Sophie Turner) Jubilation Lee (Lana Condor) and Charles Xavier. (James McAvoy) Scott stays at the mansion and befriends others there, and Jean gets a vision of an apocalypse that's coming their way.
Meanwhile, Raven Darkhölme, AKA Mystique (Jennifer Lawrence) is traveling around the world saving mutants. She rescues Kurt Wagner, AKA Knightcrawler (Kodi Smit-McPhee) from a cage-fight in East Berlin with Warren Worthington III, AKA Angel (Ben Hardy). Raven takes him to a weird guy named Caliban to get him to Xavier, but Caliban informs her that Erik Lensherr (Michael Fassbender), has been located in Poland after the army there killed his wife and daughter, and he killed all of them. This prompts Raven to go with Kurt to the states to inform Xavier of this.
Xavier looks in on a few people using Cerebro, and finds that Moira McTaggert has discovered something related the seismic events that coincided with Jean's nightmares.
Once in the states, Raven meets the new students, and Nightcrawler befriends Jean, Jubilee and Scott, and they go out to see Return of the Jedi together while Xavier and Alex go to Washington to talk to Moira about what they've found, and to undo the memory-erasure that Xavier used on her in First Class. They bring her back to the mansion so she can help him locate the mutant who is the source of the activity, and try and convince Magneto to rejoin them. This leads to Apocalypse (Oscar Isaac) taking control of Xavier's mind, and using Cerebro to find the worlds most powerful mutants. This comes a bit late, since he's already recruited a pair of the worlds less powerful mutants to his team, Angel and Psylocke (Olivia Munn) that consists of them and Ororo Munro, AKA Storm, (Alexandra Shipp) and Magneto. Magneto is War, and Archangel is Death, but we're never told which of the remaining two are Pestilence or Famine. Not that this really matters, because I'm sure Storm could handle both of those roles.
Havoc destroys Cerebro, but Apocalypse shows up to kidnap Xavier so he can use him to disarm the worlds nuclear weapons and send a message to the world. Havoc tries to prevent that from happening, but Apocalypse redirects the waves and they begin to destroy the mansion, but Quicksilver shows up in one of the best scenes in the freaking movie and rescues everyone before the mansion is destroyed, save for Havok, who was at the epicenter of the blast.
Colonel Stryker shows up at the mansion and knocks out everyone, and kidnaps Hank, Raven, Peter and Moira, but Kurt, Scott and Jean evade them and stow away on a helicopter to get to the base where Stryker is keeping Wolverine (Hugh freaking Jackman man). They free Wolverine, and he helps them free Hank, Raven, Peter and Moira. Jean helps him get some of his memories back, and he runs off into the snow.
Meanwhile, Xavier is made to disarm all the worlds nukes, and Magneto begins messing with the earths magnetic fields to cause widespread destruction and to build a new infrastructure at Apocalypse's behest. Meanwhile Apocalypse is trying to transfer his consciousness into Xavier's body so he can get his powers, but the X-Men have hijacked one of Strykers drop-jets and made their way to his location, and they begin to do battle with Apocalypse and The Horsemen. Eventually they stop Apocalypse from merging with Xavier, and thanks to intervention from Magneto and Storm, the team manages to beat Apocalypse.
Xavier, now bald thanks to his interaction with Apocalypse, begins to officially form The X-Men, and Mystique trains students in combat in The Danger Room.
All in all, hell yes. Amazing. Can't really see how it could be improved much. Granted Alexandra Shipp's Storm voice sounds nothing like it has at any point in the past, and McAvoy's head isn't shaped exactly like Patrick Stewart's head is, but he still looks more like Stewart than Tom Hardy did in Star Trek: Nemesis. The plot flows well, and god-dammit do I love the Quicksilver scene in this film, just like I loved the Quicksilver scene in Days of Future Past. Peter Maximoff is turning out to be one of my favorite characters in this series, and I can't wait to see him in another film.
In the end, I give it a 9.9* rating. I'll see you guys next week with either Deadpool, or Teenage Mutant Ninja Turtles: Out of the Shadows!

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Sunday, May 8, 2016

Captain America: Civil War

Captain America: Civil War is easily the worst film to come out of the MCU so far, and while that might not sound like much considering the high standards set by the franchise, I'm beginning to think we're looking at a disaster of unparalleled proportions.
I didn't dislike the last Avengers film. Was it as good as Ant-Man or Guardians of the Galaxy? Hell no. Not even close. It was still pretty good though, and it outshone the other superhero movies that came out in 2015. (Despite that not being hard to do)
I'll be blunt, I thought the chance of this movie being good was pretty damn low. My expectations basically started out at the same place as my expectations for Batman v Superman, but after seeing that film I became optimistic for this one.  At first, I thought my fears unfounded, as the film began with a quality akin to that of BvS, but around halfway through the film things began to fall apart.
This seems to be the year of superhero conflicts. Batman fighting Superman. Supergirl fighting Martian Manhunter. The constant levels of interhero conflict going on in Arrow. I think The Flash fought himself a few times in the most recent season of his show. Hell, there's another Civil War event going on in Marvel Comics. One that's actually stupider than the original if you can believe it. The Minority Report was a damn good film, we don't need to see a superhero version of it. Hell, the division of the two sides is even more retarded than it was originally. For some reason, Spider-Man and She-Hulk are on the pro-precrime side despite the two of them being historically tight with law-enforcement. One of Peter Parker's most important role-models was George freaking Stacy for crying out loud, and She-Hulk is a defense attorney!
I think the only superhero franchises not partaking in some kind of versus crossover event this year are Power Rangers, Kamen Rider, and Super Sentai, but the year's not quite over yet, any of those series could have some kind of versus crossover.
As much as the comics have beaten hero versus hero conflicts into the ground, this is the first time the mainstream audiences will be getting a taste of the kinda stuff we've been having to put up with for so long. Some may know that Civil War was one of the comics that made me stop reading Marvel Comics, partially because it was a direct lead-in to the worst story Marvel has ever published, One More Day/Brand New Day, wherein they split up the long-married fan-favorite couple of Peter Parker and Mary-Jane Watson, and one of my favorite pairings in comics. To say I thought Civil War was bad would be an understatement, Civil War was the event series that ruined the Marvel universe. Yes, there was an interesting dynamic of all the good heroes being outlaws and the government-sanctioned ones being villains, but what was gained was nothing compared to what was lost.
Since this film isn't a direct adaptation, it overcomes a lot of the major issues inherent to the comic. It's got a lot of the same beats to it, but they actually make it matter. The Civil War comic started out with a bunch of Z-list reality-show heroes nobody remembers or cares about blowing themselves and a bunch of people from here to kingdom come, and despite them being a bunch of idiots nobody expected to do anything right, and despite there being issues larger than this they could probably be dealing with (Planet Hulk anyone?) the government decides to take this opportunity to enact a superhuman resgistration act to try and curtail untrained heroes getting themselves killed. There are a few fairly major issues with this idea. First one being the fact that the Mutant Registration Act was shot down with a Death Star decades ago, and second being that I thought there were already laws in place that prevented people from going out and enacting vigilante justice? Bruce Wayne made this point in BvS, and Frank Miller made it in The Dark Knight Returns, the direct quote would be "We were always criminals." The question was always whether or not it was wrong, not whether or not it was legal. I thought that The Avengers was supposed to be the way they got around the legal aspect of superheroing. Batman gets support from the GCPD because they don't want to to take him in. Spider-Man, Daredevil, Luke Cage, etc, they get support from the NYPD for the same reason. Superman is beloved by all, it would be political suicide to try and take The Man of Steel in. Spider-Man is New York's very own hero, having put his life on the line for the city numerous times, no matter how much Jolly Jonah Jameson tries to paint him as a menace, everybody knows he's their friendly neighborhood Spider-Man. He helps people out, he saves children from burning buildings, he puts his life on the line for ordinary people on a daily basis, he's the guy everyone knows, he's the guy you can count on to help you when you're in a jam, he's Spider-Man for crying out loud and everyone knows that! He's sacrificed so much to help out as many people as he can, and he deserves to have a little something good in his life, and that's part of why I hate Civil War as a comic, because it took away two of the things that anchored him, his wife and his aunt.
My point is that the repercussions didn't make much sense. Again, who would turn on Captain America? He's literally the original All-American Hero, he's America's greatest war-hero, a living legend! How do you manage to turn the public against these guys? Captain America's team in the Civil War comic consisted of the street-level heroes and others who have a lot of public support. Tony Stark is just some rich dude with a suit of armor, and his team mostly consisted of people who the public has little reason to care about or like. Reed Richards might be one of the most important figures in the Marvel universe, and he might have saved the planet a few times, but he's generally considered to be a bit of a jerk.
Thankfully, since Marvel doesn't have the rights to all of their characters, the roster is significantly reduced, so the film is a lot more coherent than the comic was. The is in direct contrast to the actual scale of the conflict, or more to the point the scale of the regulation and what kicks it off. Rather than being cause by a bunch of nobody idiot heroes, the incident that brings things to a head is caused by The Avengers themselves while they're hunting down a group of former HYDRA agents turned mercenaries led by a guy called Crossbones, who reveals himself to be one of the guys Steve beat up and left for dead in The Winter Soldier. He detonates a suicide-vest in an attempt to kill Steve, but Wanda, The Scarlet Witch tries to redirect the explosion and winds up destroying the Nigerian Center for Infectious Diseases instead of containing the blast.
Meanwhile, Tony is trying to atone for his guilt over the Ultron incident by funding a bunch of projects for kids in college. For some reason his girlfriend and woman who basically keeps his life together is nowhere to be found. (Probably because she's too smart to put up with how bad the plot gets towards the end) On his way out of the school, he's ambushed by a woman who blames him for the death of her son despite her acknowledging that it's irrational. Keep this in mind, this is important.
Back at the new Avengers HQ, "Thunderbolt" Ross makes his first appearance in the MCU since The Incredible Hulk. He tells them that The United Nations are trying to pass an international law to allow them to control The Avengers.
Here's the problem with this scene. First off, they show a lot of footage from incidents completely unrelated to The Avengers. The Helicarrier crashing in The Winter Soldier, which was HYDRA's fault. The alien-invasion from The Avengers, which was Loki's doing. Things from Thor, things that there was no possible way to control or prevent. Yes, they showed Hulk hopping between buildings and busting things up, but if the damage he did was minimal compared to the damage he prevented. Yes, they show Ultron destroying Sokovia, and while Stark created him, I don't think anyone could have predicted the AI going rogue and becoming an omnicidal maniac. At least not without someone who can predict the future, or possibly a pre-crime machine.
Second, for some reason they reference The Avengers being a private organization, despite them being a sub-division of freaking SHIELD, a government agency that traces its roots back to World War II. Yes, SHIELD has a load of bad publicity after the HYDRA infiltration, but they basically had that sorted out after the second season of Agents of SHIELD. They're trying to push government oversight of The Avengers despite them being a government-sanctioned team. Yeah, I get that they're also trying to keep what seems to be basically an American organization from interfering in international affairs, but I thought SHIELD was supposed to basically be an international organization anyways? Hell, it's not like they've ever been able to stop America from basically doing what we want at any point in the last, what? Forty years? Not that there's been much official objection, or at least any that means anything. My point is that while they make a good point, it doesn't really match up to reality or established series lore, part of which is chocked up to the fact that the Russo brothers didn't bother watching Agents of SHIELD. Not that I can really blame them, the show is kinda boring at times, but they're supposed to be maintaining continuity between franchise installments.
Naturally, Steve objects to this, citing all the times when the government has either had an agenda or was corrupt. Considering SHIELD was basically saturated by HYDRA operatives, I can't see anyone supporting government control of superhero teams except for an overly controlling government. I could see them trying this kind of tactic if they rushed it through and pretended it was something cool and necessary, but with as public as the signing of the accords are I wouldn't be surprised if a bunch of politicians lose their jobs on the next election cycle, being replaced by more pro-vigilante, pro-superhero representatives.
Third point to make; Ross asks them if they know where Thor or Bruce Banner are, saying that if they misplaced two nuclear warlords there would be consequences. The problem with this logic is that Thor is a god, and he basically does what he wants, and Banner was only restrained by SHIELD for as long as he wanted to be. They're people with motivations of their own, you can't always control them. Orders only go so far when a Norse God is involved! Do you expect to keep tabs on your ace pilots or snipers or whatever at all times when they're not on active duty? Because that's basically what The Avengers are.
In Vienna, when they're signing the accords (They just skip all the campaigning for and against the accords) and the place gets bombed, killing King T'Chaka of Wakanda in front of his son, T'Challa.
Security footage places Bucky Barnes at the scene of the crime, and since he was last seen working for Hydra, they figure he's behind it, and decide to hunt him down. Steve tries to intervene, but him, Bucky, and Sam Wilson get captured by German commandos backed up by T'Challa and War Machine. Apparently The United Nations signed off on Germany airdropping a black-ops team into Bucharest.
I would like to raise the following issues with this. First off, why do they think they can capture The Winter Soldier? He gives Captain America a run for his money, and both of them made a career out of taking down entire enclaves of entrenched Nazi's on their home turf with enhanced weaponry and armor, and that was before the Winter Soldier transformation! After that, he basically became a combination of Solid Snake and The Terminator, who thinks that anyone but at least four Avengers could take this guy down easily? The only reason they even surrender is because Steve doesn't want to fight with Rhodey. The only reason they get into that situation is because T'Challa (Who supported The Sokovia Accords despite going off the reservation in this scene) stuck his nose into the situation and mucked things up.
This brings me to my second point, Martin Freeman's character, Everett K. Ross (Not sure if he's related to Thunderbolt or not) says that they could have brought in Bucky if not for Steve and Sam's intervention, to which I refer you to my above statements about the kind of work Bucky did during and before his stint as The Winter Soldier. If you think that anything other than a team of superheroes could take down The Winter Soldier, you're either fooling yourself, stupid, poorly written, or purposefully trying to let him get away.
Tony pulls a few strings to get T'Challa, Steve, and Sam out of custody, but a guy infiltrates the compound disguised as the psychologist who's supposed to psychoanalyze Bucky and his team sets off an EMP that kills the power to the base. The guy sets about activating Bucky's Winter Soldier programming and makes him tell him a few things about his missions as The Winter Soldier and the location of his old base before sending him on a rampage through the base before he makes his escape while Steve, Tony, T'Challa, Natasha and Sam are occupied with handling Bucky's rampage. Rather unfortunately, the government has confiscated Steve, Sam and T'Challa's equipment, so they're not working at full efficiency.
Steve and Sam manage to subdue Bucky, and Sharon Carter, the niece of Peggy Carter, give them their gear back. This was when I noticed that they weren't trying to fix what Joss Whedon broke in Age of Ultron and put Natasha and Steve together and decided to make Sharon and Steve a thing despite them not having had a whole lot of screentime together in the previous movies she's they've been in together. Although I'm glad they took this long to put them together, in the Albert Pyun film they were together before the end of the movie.
Steve and Sam restrain Bucky while Winter Soldier mode wears off. Bucky tells them the Helmut Zemo, the guy disguised as the doctor, wanted to know about a specific mission in the nineties as well as the location of the old Winter Soldier base. Bucky tells them about the mission and the purpose of it, which was to steal some stuff to make more Winter Soldiers. And they did. Except that they were already crazy good and the serum made them even better and even worse. Bucky was barely able to contain one of them on his own, much less with the help of the other soldiers in the base. Steve figures they need to intercept Zemo before he can unleash that group on the world, and that the bombing from earlier that was pinned on Bucky was caused by Zemo, but he figures Tony has lost all trust and faith in him (Rightly so as well, but this would still be a good time to at least try and extend an olive-branch) and that they need to handle this themselves since everyone else is convinced that Bucky is still The Winter Soldier and that Steve is delusional. Steve figures they need a good burglar to get into the base, and Sam recommends Scott Lang, the second Ant-Man.
Clint rescues Wanda from Vision and picks up Scott on his way to rendezvous with Steve.
Meanwhile, Tony has been given a day and a half to bring in Bucky, and (for some reason) despite having War Machine, Black Widow, Vision, and Black Panther on his side, he drops into Queens to recruit some kid with spider-powers instead of calling on, say, Skye from Agents of SHIELD, his ultra-powerful girlfriend, or possibly freaking Daredevil? Punisher? Someone who could legally sign on to be a part of The Avengers without needing permission from a parent or guardian?
This brings me to the place where the movie begins to fall apart. Tom Holland is a terrible Spider-Man. He's a 5'6", uber skinny waif of a boy, and his voice is really high in this film. All of that together gives the impression that he's supposed to be like thirteen years old. Spider-Man wasn't even that young back in Ultimate Spider-Man, and that was the "young and hip" Spider-Man! Tom Holland might be a few months older than I am, but he sure doesn't look it!
The dialogue in this scene is pretty good, in fact I'd actually call it great if it was being delivered by somebody more suited to the role. Aside from a handful of lines where they try and lampshade a few of the more jarring elements of the reboot, but we'll get to that.
In addition to recasting Peter Parker, they also recast Aunt May. Gone is the somewhat elderly version of the character we saw in literally every other iteration, because Marisa Tomei looks like she could be Tom Holland's older sister. Yes, I know that she's fifty-something, but she looks like she's in her late twenties at most. In fact, she looks like they took someone in their late twenties and made them look even younger in this movie! They should be trying to draw attention away from this fact, not lampshading it!
Peter in this movie apparently has some kind of problem with sensory overload (Funny, considering he didn't go through anything like that in the comics, so they must be taking this from the Raimi movies) so he uses goggles to help him focus.
I'm familiar with practically every iteration of Spider-Man there is, I have never once seen him to need a pair of goggles to focus his Spider-vision. In fact, his glasses actually made his vision worse in other iterations. The web-shooters are back, and they make as little sense as they did in the original comics. Fortunately they don't have the X-Men around with mutant powers to muck things up as much, but they do have the Inhumans around, which basically serve the same purpose. He should have spinnerets on his wrists, and have the web-shooters as a backup to that. That was the one complaint I had about The Amazing Spider-Man.
Tom Holland's voice is second only to Tom Holland's acting in terms of what makes him unfit to be Spider-Man. At least in the scenes he has in the apartment in Queens, he sounds like he's starting to get really irritated at the directors for making him re-take his characters angry rant ten times. I'll be blunt, he sounds like a bad child-actor at his worst, and while his native accent doesn't bleed through more than like once, he doesn't have any of the New York tinge to his voice that Andrew Garfield had, or any of the genuine emotion that Andrew Garfield or Toby Maguire had. Whenever he's called on to sound angry, or strained, or tired or anything beyond simple stuff he sounds like he's putting waaaay more effort into hiding his English accent than he is into actually putting forth the intended emotion. This is basically what I was afraid was going to happen in The Amazing Spider-Man. I guess I was about four years too early with that feeling.
Anyways, Stark basically cons Peter into joining The Avengers to take down Steve and Bucky, because Peter Parker is a poor kid and working for a multi-multi-billionaire with a guilt and savior complex is probably a good way to get paid good money, not that we see much in the way of Peter being poor besides him scavenging electronics from the garbage and having kind of a small room, neither of which are clear indications on their own.
If they'd stuck with Andrew Garfield as Peter Parker all Stark would have had to say to get Peter on-board is "I know a guy who can bring your girlfriend back to life," which would have been clear motivation on Peter's behalf, it would have been something that would pretty much push aside his reasoning and morals, giving him proper motivation to do what Stark says rather than just risking his life for him basically because he asked him to.
Stark tracks Steve and his team to the airport they're hiding-out at and they begin the conflict. This is when Peter shows up in his new Spider-Man suit, and might I say, for a costume that goes out of its way to try and be comic-accurate, this is the least comic-accurate suit in the history of Spider-Man suits. The eyes change sizes like they did in the comics, but that was an art thing, it wasn't meant to actually be something the eyes did, which is why nobody ever cared when the eyes didn't change sizes in any of the other five movies. Then there's the web-design, which looks like it's printed onto the suit instead of textured on like it's been in previous films. Then there's the spider. Good lord the spider. The spider on his chest is a black oval with thick stick legs. Anyone who's ever picked up a Spider-Man comic would know that the spider on his chest has never once looked like this, not even back in the original comics. It was two circles with thin lines coming off of it originally, the spider on his back was the oval with the short thick lines. Also, the spider on his back hasn't looked like that in thirty plus years, so I don't know why they decided to go with that. The Spider-Suit honestly looks like a cheap Halloween costume, especially when compared to the suits from previous movies Spider-Man has been in, or even the original comics. It looks like it's just spandex, which doesn't make a whole lot of sense when you're going up against people like Captain America, The Winter Soldier, Hawkeye and Scarlet Witch. In fact, it almost seems like he should have given him some kind of Iron-Spider suit.
Eventually Team Cap decides that they need to just try and get to their plane and leave. Ant-Man pulls a Giant-Man and distracts Team Iron Man while the rest of Steve's team tries to get away, but ultimately only Bucky and Steve get to the plane.
This brings us to one of the absolute worst jokes in the entire movie, and that's saying a lot in a movie where Spider-Man makes a bad joke every time he's on-screen. Well, not exactly bad jokes, more like Tom Holland botches the delivery on every line that would be otherwise funny coming from Andrew Garfield or Toby Maguire, Neil Patrick Harris, or literally any of the other actors who have played Peter Parker. Aside from Drake Bell I mean (But even he's better than Tom Holland) Not only did Tom Holland manage to totally botch the delivery, the joke is also something that Spider-Man would never say the way it's written. To quote it exactly: "Hey guys, you remember in that really old movie, The Empire Strikes Back?"
Excuse me, no. Just no. Spider-Man would never say it like that. He'd say something like "Hey, you remember how they took down the Walkers in Empire Strikes Back?" By the time I was thirteen I'd already seen The Empire Strikes Back three times. It's literally one of the most famous movies in cinematic history, it's one of the most influential films ever made, and it's part of one of the biggest, most important franchises in the history of the planet, its age has nothing to do with it. The way this line goes down is entirely to set up a line about how young Tom Holland looks. Yet again, something you shouldn't be trying to draw attention to. Sometimes lampshading something stupid or something that doesn't make sense is a bad idea.
Anyways, Peter almost gets killed taking down Scott, and Tony tells him to stay down rather than getting up and fighting, and Peter winds up following his advice.
Spider-Man is suppose to have more endurance than that. What happened to him in this film? Captain America dropped a small bridge on him, Falcon ran his drone into him and Ant-Man landed on him, that's nothing compared to the level of abuse he's supposed to be able to take. In Spider-Man 3 he was beaten up and strangled by Venom and got his entire body pounded by Sandman and still managed to keep fighting long enough to kill Venom! In The Amazing Spider-Man The Lizard beat him up so badly one of his ribs was sticking out of his chest (It wasn't broken, it just looked like his skin was torn off) and he was back to fighting fit in a couple of days! In the comics, Peter has repeatedly lifted gigantic tons of rubble off of himself from a prone position and managed to keep going. Spider-Man is supposed to be tougher than this!
Not only that, when Tony tells him to stay down, he does try to get up and fight, but he stays down after one little token attempt to get up. Like I said before, we know how tough Spider-Man is, so we know that he could basically walk what little injuries he had off in a few minutes, especially with adrenaline pumping at full-tilt. Spider-Man doesn't just sit down and let other people fight his battles for him, even when he's injured. Especially not someone could be killed, injured, or crippled due to his inaction. This brings me to an issue from earlier in the movie, where Peter gives his justification for not using his powers for selfish reasons, because he's trying to maintain his secret identity.
Excuse me? Did either of the writers on this movie ever read a Spider-Man comic? Peter doesn't use his powers for selfish reason because he learned the hard way what happens when you don't use them to help people. His motto is "With great power comes great responsibility" and if he hadn't been out-of-commission for the last half of the film Rhodey wouldn't have been freaking paralyzed! Peter could have webbed up Falcon on takeoff so he wouldn't have been able to go after Warmachine and Vision wouldn't have tried to shoot him down and missed! There are three people on Tony's team that could have taken down Captain America and The Winter Soldier, Black Panther, Vision, and Spider-Man. Vision was taking care of Wanda, and T'Challa and Natasha were squaring off as Steve and Bucky took off, leaving Spider-Man as the only one who could have taken both of them on and won, and he's just sitting on his ass off to the side while his team-mates keep fighting. Peter Parker made a name for himself as Spider-Man by taking a stand and fighting even when it's not his fight. If he thinks he can help, or if anything needs doing, Spider-Man does it.
The only conclusion I can come to is that they didn't want Spider-Man around for the whole fight because they wanted it to go a way other than the logical conclusion of Spider-Man beating up Steve and Bucky and leaving the Zemo plot out to dry. We can see that Peter is strong enough to take Bucky on and not take many hits, which is something Tony and Steve both struggled to do, so I don't even need to things from the comics and previous movies into account, he's established as this powerful in the movie! Hell, Tony has footage of Peter stopping a speeding car from hitting a bus with his hands, so we know Peter is supposed to be as powerful as he is in the comics and the previous movies, so I can only assume this was a writers cop-out.
While Bucky and Steve are flying off and Sam is trying to keep Rhodey off their tail, Vision tries to shoot down Sam and winds up shooting down Rhodey instead. This is entirely Vision's fault as well, and he never apologizes or owns up to that fact. Or offers to fix Rhodey's broken spine and lacerated spinal-cord and countless other injuries with his rather insane level of power. If Vision had aimed his shot better, or flown to try and catch Rhodey (Which Sam did, by the way) or told Wanda to catch him with her powers or literally anything that could have saved Rhodey from the fall!
After Steve's remaining team gets captured, Tony finds out that Bucky wasn't the one who blew up the conference in Vienna, since law-enforcement in Germany found the body of the doctor and stuff that Zemo would need to make himself look like Bucky, so Tony decides to go off and help Bucky and Steve take down Zemo, but T'Challa follows him.
Now, here's how I thought the movie was going to go from here. Tony teams up with Steve and Bucky to take out Zemo and the other Winter Soldiers, but T'Challa attacks all three of them before they're ambushed by the Soviet team, and forced to team up together to fight them, T'Challa finds out that Zemo killed his father, and they all wind up teaming up and deciding to work towards clearing Bucky's name and repealing the Sokovia Accords. That doesn't happen.
Instead, it's revealed that the guy Bucky stole the Supersoldier serum from to make the other Winter Soldiers was Tony's father, and for some reason HYDRA had footage of Bucky killing Tony's parents back in 1991, in the middle of nowhere, where nobody would have put a security camera even now. If they'd shown body-cam footage, that would have made some kind of sense, but why would a covert criminal organization want to have evidence of their criminal activities lying around in case they get caught?
This causes Tony to start fighting with Bucky and Steve, despite knowing Bucky wasn't in control! Despite the fact that he should know that Zemo is showing him this to make him fight with Bucky and Steve! He asks Steve if he knew this, and at first he gives the logical answer (no) but eventually he says he did and he kept it from Tony because it would upset him!
I'm sorry, Steve Rogers is supposed to have enhanced brain-power and intelligence, he should know that's a stupid decision! Unfortunately, that's not even the worst of it! Bucky barely remembers most of his actions as The Winter Soldier even immediately after he's dropped out of Winter Soldier mode, so why does he remember such specific details such as the fact that he killed Howard and Maria Stark? Why would he even be told who he was supposed to kill? Hell, he probably met Howard a few times back in the forties, but it had been like fifty years between then and the time he killed him, so it's not like he would recognize him! Yeah, Howard Stark was probably one of the few people in the world who could recreate Dr. Erskine's formula, so it's a logical leap to make, but come on! It could have just as easily been Richard and Mary Parker, who also would have died around the same point in time (And they were also killed by Hydra) or any of the other really smart people who have died in Marvel history.
Zemo killed the other Winter Soldiers and left Bucky and Steve to fight Tony, while T'Challa prevents Zemo from killing himself as his motives are revealed. Zemo's family was killed in Age of Ultron and he decided to begin a chain of events that would lead The Avengers to conflict and possibly killing each other. Not like anyone's died really. Rhodey and Scott came close, but there's nobody actually dead at the end. The guy who was supposed to kill Captain America died in the first ten minutes of the film.
Get this too, rather than going back inside the base and telling the three stooges that Zemo kicked all of this off to make you guys kill each other, T'Challa just stays where he is and does nothing. Tony rips off Bucky's arm, and Steve disables Tony's suit. At the end Tony chides Steve for carrying the shield that Howard Stark made as he and Bucky are leaving, and like a complete moron, Steve drops his shield right there. Never mind that it'll be impossible to find a shield that good anywhere else. Never mind that Steve has had that shield with him for most of his life. Never mind that it was a gift from Howard Stark, who was one of Steve's friends. Never freaking mind that the love of Steve's life, Peggy Carter has just died.
Afterwards, Tony lets Steve get away with rescuing the rest of The Avengers from prison, T'Challa's people set about repairing Bucky's damaged arm and Peter (Who I'm becoming more and more convinced must be some kind of degenerated clone of the real thing, take your pick whether that's Toby or Andrew's Spider-Man) gets the Spider-Beacon from his webshooters for some reason.
All in all, this movie sucks. It's a shame too, because it's such a good movie aside from a few major points that break the whole thing down!
God only knows why this movie is getting better scores than Batman v. Superman, it's edited almost exactly the same way. I mean seriously, if not for the fact that they came out months apart, I'd almost say that Marvel was trying to rip it off. They introduce a pair of new superheroes without movies of their own (at least with the current actors) who get involved with the final battle and wind up being fairly important. Except that it doesn't have as good of a resolution as BvS, or as good of a climax, or as good of an ending. It just seems like they kinda stopped in the middle of the storyline they were going for and then forgot how to write the characters.
And now, a list of things missing from Captain America: Civil War.
#1: The Iron-Spider
#2: Spider-Man joining Captain America's side
#3: A decent ending
#4: Common sense
#5: A decent sense of character continuity with previous Captain America or Avengers movies.
#6: Spider-Man. Because I refuse to accept this watered-down shadow of my favorite superhero as the MCU version of Spider-Man
I'll say this, at least most of the characters are still mostly in-character throughout the film, but not Spider-Man. This is the most disrespectful adaptation of one of my favorite superheroes since the Supergirl series premiered last year. I actually liked X-Men Origins: Wolverine, but I'll acknowledge how little respect the producers had for Deadpool. That's what kind of Spider-Man we got. The only thing that would make it worse would be if he wasn't even dressed in a costume that even remotely resembles any suit he's worn in the past. In fact, if his mouth was sewn shut it would be even less disrespectful to the character than the bad delivery. Spider-Man never botches a joke, even with a bad writer! They might not make you laugh all-out, but you'll at least get a decent snort out of it. A small chuckle.
Come Spider-Man: Homecoming I expect Tom Holland to be gone. I want him out of the MCU. You can replace him with Andrew Garfield, or Toby Maguire, or Thomas Brody Sangster if you want, any of the three would be good. I don't care. Just make Tom Holland go away. I'd say he should be the George Lazenby of Spider-Men, but say what you will, George Lazenby wasn't insufferable.
Towards the end of the fight when Tony is telling Peter to stay down is the point in time when you realize what's going on, that's when the suit looks its cheapest, when Holland looks his youngest. Tom Holland is a kid dressed up as Spider-Man who just so happens to have gotten a gig with Marvel. His suit looks like a Halloween costume, except it looks worse than the costume I dressed up in when Spider-Man 2 was new!
Honestly though, cutting out Tom Holland as Spider-Man wouldn't have saved the ending, since the ending basically makes the whole, otherwise great movie into an idiot-plot.
Tony starts a fight with Steve and Bucky because he's an idiot. Steve didn't tell Tony that Bucky killed his parents because he's an idiot. T'Challa doesn't tell them why Zemo kicked all this off, because he's an idiot. Natasha doesn't leave with Steve and Bucky at the end of the fight because she's an idiot. Tony doesn't ask T'Challa to fix Rhodey's spine because he's an idiot. Peter doesn't step in to take down Steve and Bucky when they're trying to escape because he's an idiot. Steve leaves his shield behind with Tony because he's an idiot.
At one point in the prison that they stuck Steve's team in Tony looks around and sees Jessica Jones just sitting in a cell. Way to reference the actually good parts of the MCU there, Marvel.
I can try and give this movie some credit for what makes it good, but honestly the ending and the Spider-Man scenes are basically enough to ruin the film from a critical perspective. Coming off Batman v. Superman I was optimistic for Civil War, but after all the good stuff it just crumbled at the end. I'm still holding out hope for Doctor Strange, Luke Cage, The Punisher and Jessica Jones later this year, but so far Marvel has lost a lot of credibility in my eyes after this film. I am not looking forward to Spider-Man: Homecoming next year as long as Tom Holland is still playing Spider-Man, and I am hesitant to see if Marvel can salvage the mess this film has caused.
In the end, I give Captain America: Civil War a 4.1* rating. I'll see you guys next week, I'll either be reviewing Ant-Man or Majora's Mask 3D. I'm off to re-watch the good movies with Spider-Man in them. I might even re-watch The Amazing Spider-Man 2 just to see if I can find it in my heart to hate it more than I do Civil War. It might have devolved into an idiot-plot too, but it at least understood and respected the characters.

Image from Impawards.com

Sunday, May 1, 2016

Avengers: Age of Ultron

I really don't want to review Age of Ultron, for a number of reasons. One being that I'd really rather talk about Ant-Man, another being that I don't want to admit that it's not nearly as good as The Avengers, and finally, because I don't like to think about Joss Whedon losing his touch finally.
Age of Ultron is by no means a bad film. Compared to Fox's offerings in 2015, it's head and shoulders above Fant4stic. No, that's not saying much (The Amazing Spider-Man 2 is good in comparison) but it's still a decent enough movie. Is it a good film on its own? Yes. Is it as good as any of the previous MCU installments? Absolutely not. It's not better than The Winter Soldier, The First Avenger, Iron Man 1, 2, or 3, The Incredible Hulk, The Avengers, Thor, Thor: The Dark World, the first season of Daredevil, or the first season of Agents of SHIELD. It's also not better than any subsequent MCU installment, Jessica Jones, the second season of Daredevil, Ant-Man... We'll have to see how it holds up in relation to Civil War, The Punisher, Luke Cage, the second season of Jessica Jones, and Doctor Strange.
Yadda yadda, spoilers inbound, you know the drill.
From a story perspective it's a great idea, sure. The problems stem from Joss Whedon's direction. Not his writing, his direction. His writing is as good as it's always been, but the timing on most of the jokes is off just enough that it makes them less funny than they should be. Compare this to Whedon's previous work, such as Firefly, Serenity, The Avengers, the first season of Agents of SHIELD Buffy The Vampire Slayer, almost anything, the timing on all of the lines is spot-on perfect, every single one of them hits a comedy bulls-eye you didn't even know existed. These days though, his direction seems like he's going through the motions of what made him great. There's a reason I didn't include the second season of Agents of SHIELD in the list of things better than Age of Ultron, because despite overall having less bad moments than the first season did (We don't get young Ward who doesn't look a damn thing like the adult actor) there are less good moments and more mediocre and bland ones. There's nothing as awesome as Nick Fury and Phil Coulson teaming up to take down a traitorous SHIELD agent, and despite having a really interesting plot, it's not exactly inspiring to watch, especially considering the massive pains they've got to go to to make sure that they let you know that this organized group of people with odd genetic mutations aren't mutants, but "Inhumans" because Marvel is too cheap to just buy the rights to the X-Men back. Not like that's their most iconic team or anything. Not like they're some of the most beloved characters in the comics or anything, not like Wolverine is one of Marvel's most iconic characters. But sure, bring in all these original characters and D-listers nobody knows or cares about, bring in all these Inhumans. Pretend we should care when any of them die.
Speaking of which, this brings me to the big addition to Age of Ultron, Quicksilver and Scarlet Witch. They're just sorta injected into the story without a lot of buildup, even if you were watching Agents of Shield up to that point. The twins were introduced in The Winter Soldier, which was more than a bit exciting. Not to say that their introduction in this film was a bad thing, and it's nice to see foreshadowing being paid off, but I was hoping they would get their own movie before they appeared in an Avengers film. In The Winter Soldier they were locked up in cages with their powers going haywire, now they're basically just roaming around the Hydra base that The Avengers are laying siege to without much explanation. They were supposed to be fighting The Avengers, but they just sorta slunk off into the distance to return later in the film.
After the opening action-sequence, the movie basically turns into Friends with superpowers for a while. They literally spend about twenty minutes of the film goofing off in Avengers Tower for a while before Ultron (Played by James freakin' Spader) shows up and starts wrecking the place. He "kills" Jarvis, and begins using Stark's Iron Man drones to take over the world. The Avengers go into hiding at Clint's house, and the twins meet up with Ultron to take their frustations out on Stark before going rogue and meeting up with The Avengers when they find out that Ultron wants to raze the planet of all living things and create a world of robots.
Stark puts Jarvis back together from the internet and they track Ultron down to where he's going to try and make his stand and they stop him, but Quicksilver dies and The Avengers go their separate ways. Tony drives off in a car while Steve begins training a secondary Avengers team to fill the holes in the main-teams lineup.
Overall, it's a fine film, but the specific details are what drag the movie down. Back in The Avengers they spent a lot of time building up the relationship between Natasha and Clint, but it wasn't exactly a romantic relationship. Then they spent literally all of The Winter Soldier building a romantic relationship between Natasha and Steve. Come Age of Ultron, out of nowhere they're acting like Natasha and Bruce have an established romantic relationship despite Bruce already having a girlfriend, and despite all the development between Natasha and Steve in the previous movie the previous freaking year! This is also despite Natasha having seen Bruce's bad side in The Avengers when he tried to kill her. Not only that, their relationship includes her taking him down from Hulk form when their mission is over. Contradicting everything we know about The Hulk from the last two films he's been in. Bruce spent all of The Incredible Hulk learning how to control his powers, and he'd basically mastered the transformation come The Avengers, being able to transform basically at will. Did they just forget or did they purposefully ignore everything from the previous films because they had a new idea for shipping in mind? Were the writers dueling over who they wanted to pair Natasha with? If so, Joss Whedon was dueling with himself since he seemed totally on-board with the Natash/Clint shipping in The Avengers.
Then there's the generally lazy tone of the film in the middle. I know that it probably had to have a softer, slower tone compared to the original so they could have some non-combat team interactions, basically allowing them to be regular human beings and goof off a bit, but it was also a bit irritating to watch. It seems like the kind of thing they should have a TV miniseries for, rather than devoting a portion of the film to it. I don't know, it's difficult to say what could have been done better when almost everything turned out alright in the end.
Personally, I would have cut the relationship between Natasha and Bruce, and brought Betty in so we could actually get more references to Hulk's storylines than we have been. Weren't we supposed to be getting another Hulk movie with The Leader in it? And what ever happened to The Abomination? I loved The Incredible Hulk, why can't we get another solo Hulk film? Because Universal owns the distribution rights? Bullshit. Disney has enough money to buy those rights back and have more than enough dough left to buy the rights to Namor, The Fantastic Four, and The X-Men back with change left over to buy about twenty more franchises! They'd make the money back on them about the time they released the first movie. I know Marvel basically lives and breathes on playing the waiting game, that's how they got the rights to Daredevil, Spider-Man, The Punisher and others back. The problem is that the longer they leave the rights in the hands of others, there's less you can do to foreshadow those characters introductions unless you decide to take a couple of years to introduce the characters, which I know they won't do, because it was only a year since The Amazing Spider-Man 2 came out before they started referencing Spidey in the MCU, and it's only been a year since they got the rights back that they're introducing him!
Then we get to the biggest problem with the film, Whedon's comedic direction is so far off that what I know would be funny jokes just fall flat. It's not just delivery, it's the editing and the pacing that makes the jokes fall flat.
The performances are excellent, especially James Spader's and Robert Downey Jr's. Chris Evans, Chris Hemsworth, Scarlet Johansson, Mark Ruffalo, all of them are great. The problem is the story they were forced to tell. I like the twist on the Ultron storyline they used, I like the interactions between Banner, Stark, Rogers, and the others. The problem is the sub-plot of Banner and Romanoff's relationship and the fact that the movie is about thirty minutes too short. Tony brings Jarvis back off-screen, there's not enough development between The Twins and the rest of The Avengers, and worst of all, Quicksilver dies at the end for no reason. If anyone was going to die on the team it shouldn't have been someone who was literally just introduced. This is what wrestling fans call "burying" a character. It seemed like they were setting up Hawkeye's death (which would have sucked as well, since he also hasn't had a solo movie) but pulled a fast one at the end. Apparently the original version of the movie didn't kill off Quicksilver or Hawkeye, which would have been a better ending than killing either of them.
All in all, while I was disappointed, it was still a decent film, and I can't really bring myself to hate it, partially because everything is there that makes a good movie, and it's still a good movie, even if it's not a damn good movie.
In the end, I give it a 6.8* rating, it's basically mediocre bordering on greatness. Next week should either be Ant-Man or The Legend of Zelda: Majora's Mask 3D, one or the other.

Image from Impawards.com

Monday, April 11, 2016

Jessica Jones: Season One

I wanted to watch Jessica Jones mostly because David Tennant was in it. Same reason I watched Broadchurh or Gracepoint. The fact that it's a part of the Marvel Cinematic Universe was just a bonus.
I've been a fan of Marvel Comics for a very long time, but Jessica Jones wasn't a character I was particularly familiar with back when I was still reading comics. I knew a bit about her husband, Luke Cage, and her (MCU) best friend, Trish Walker, but I didn't know much about her. After watching the first season, I might have to go back and learn more about the character.
The show has a pretty interesting setup. The titular character is a super-powered Private Investigator with a mysterious past and an obvious drinking problem. Spoilers inbound.
The season begins with Jessica taking a job from the Schlotmans' who are looking for their daughter, Hope. Throughout the course of her investigation, Jessica discovers that the man who kidnapped Hope is the same one who had kidnapped her in the past. A man named Kilgrave (Played by David Tennant) with the power to control peoples actions. She wants to flee town, but she winds up rescuing Hope and bringing her back to her parents. Unfortunately, the girl still has orders, and she kills her parents.
Jessica's next order of business is to try to prove that the girl was under mind-control when she killed her parents.
This brings me to a massive plot-hole I overlooked while I was watching the series. Nobody believes that Kilgrave can mind control people even though Loki mind-controlled loads of people in The Avengers. We live in the age of the internet, there would have been pictures and video, and stories about that plastered on the internet within seconds. Literally seconds. If people didn't believe the first claims of Loki mind-controlling people, by the time the hundredth, or the thousandth story came out, even if the government didn't comment on it, there wouldn't be many people who thought it was fake, especially after a big green man, a dude in powered armor, a literal Norse God, a walking flag with a shield and a pair of gimmick soldiers fought off an alien invasion coming through a freaking wormhole above New York City. And you know something? That's not even half of what's happened in the past four years. A building disappeared, an army of robotic men dropped a city in Europe, SHIELD was disbanded, helicarriers crashed around the world, Tony Stark's house was destroyed by an army of terrorists, people were literally blowing up all over the world, a man with a silver arm rampaged through a city blowing up cars, Inhumans and mutants have been popping up left and right around the world, and a man in a devil suit has been running around Hell's Kitchen beating up gang-members and taking down a city-wide conspiracy to rule New York. Literally anything is possible. People should know this by now. For how well Daredevil used and acknowledged media coverage of events from the rest of the MCU to affect the story. This is especially odd, since the characters make use of the internet on multiple occasions to obtain information. I know that some of the points the characters make about how people will literally make up any excuse to try and get away with crime, but they shouldn't be dismissing the idea offhand, especially people who know people who have superpowers. 
Jessica convinces her sometimes-boss who's a lawyer, Jerri Hogarth to take the case in exchange for digging up dirt which will let Jerri divorce her (No, the character was not a woman in the comics) wife without giving her any assets.
Meanwhile, Jessica begins a relationship with local bartender and superpowered invincible dude, Luke Cage (Played by  Mike Colter). While Jessica was under Kilgrave's command, she killed Luke's wife.
Eventually, Jessica figures out that Kilgrave's major weakness is being put to sleep, so she steals a bunch of heavy-duty anesthetics to knock him out with. She also teams up with one of Kilgrave's former minions, a cop named Will Simpson to capture him so she can get a confession out of him and clear Hope's name. After a few trials and errors, they manage to get Kilgrave into their trap and on-camera. They locate and bring in his parents to try and talk him into confessing, but that and Jeri disabling the electro-shock system in the cell allows Kilgrave to escape.
Kilgrave commandeers Jeri's car and makes her take him to a doctor to patch up his gunshot wounds from the escape, so she takes him to her wife. Eventually, Kilgrave makes Jeri's wife try and kill her, but Jeri's mistress shows up and kills the wife.
Despite this and other setbacks, Jessica manages to finally catch up to Kilgrave after the situation with Hope is made moot and kill him. She is then left in a position where she may eventually be defended by Foggy Nelson and Matt Murdock.
Aside from the aforementioned massive plot-hole (Which I can only presume must have been a massive oversight on the part of Marvel) this season was pretty good. I didn't even notice it at the time because it's only brought up by a caller on Trish's show and barely mentioned at all later.
I will say this however. The show has no idea what it's going for in terms of plot at times. Will gets hospitalized at one point and starts taking Super-Soldier pills to keep him going after Kilgrave murders a bunch of his friends. The pills wind up driving him crazy and Trish is forced to help Jessica take him down. This is after Will and Trish became intimate, and bonded over their mutual ideals. After they deal with Will, the people who gave him his pills take him away and this is never brought up again.
Then there's Kilgrave. Kilgrave is a great villain, and his moral ambiguity combined with the characters tendency to be a magnificent bastard makes him incredibly entertaining to watch. David Tennant is part of the reason the character is so great. His charisma helps sell the role like nothing else. It's just awesome to see him playing a villain again, and some of his quips are just so freaking funny. The problem is that they couldn't seem to figure out how they wanted to portray the character. They go from mildly sympathetic, childlike woobie who never learned any better to irredeemably purely sadistically evil at multiple points in the season. Almost like there were two writers fighting over how they wanted to characterize him and they didn't have anyone stopping them from mucking up the tone of the show. There's an entire episode dedicated to Jessica teaching Kilgrave how to be a hero, with him taking a liking to it before she betrays him and captures him. This seems to be setting up a situation where she's at least partially responsible for his reign of terror afterwards, but Jessica never appears to care about this, despite feeling responsible for the death of Luke's wife despite being under Kilgrave's control.
At one point, Jessica and company find a bunch of videos of Kilgrave as a child being experimented upon and tortured by his parents. After Jessica finds his parents, they give a story which not only contradicts what Kilgrave told her about them, but also what she'd seen in the videos. Yes, they're pretty much terrified of him, but we have no reason to believe that their story or Kilgrave's is the correct one. Supposedly they were trying to cure him of the virus that made him able to control people (Yeah, that's totally something that could happen. That's not less believable than actual telepathy) but the things we see in the videos make them seem like they were actively trying to encourage this, and Jessica, who's supposed to be one of the least trusting people in the whole MCU, just believes them right off.
That's before we come to Jessica and Kilgrave's relationship. Kilgrave brings up a lot of things he'd done for Jessica while she was with him, and she basically dismisses it as him projecting. He also brings up times when he's let his control lapse to see what she'd do, and rather than going straight with his version of the story, thus making their relationship more complex and interesting, they make it so Jessica actually did try to escape and Kilgrave made her cut her ear before stopping. This seems like a bit of a cop-out when the season so far has done its best to try and make the actions of every other character seem morally grey as opposed to black and white, yet they seem almost determined to make Jessica seem like the put upon hero and Kilgrave the unequivocal villain. I know he's not supposed to be totally sympathetic, but they did their best to make the audience like him without actually paying off his character-arc. I was expecting to see something along the lines of Jessica actually being a willing partner to Kilgrave up until he made her kill Luke's wife and then convincing herself that he was always controlling her all of the time. It would have made for a nice angle on the psychological end, since Jessica is obviously a bit unstable already thanks to the death of her parents and her abusive step-mother. This would have also placed more responsibility onto Jessica's shoulders to justify her sheer levels of self-loathing and guilt. Aside from that though, I don't mind how it turned out. The characterization of Kilgrave and Jessica became massively unfocused by the end of the season, but overall it's still a pretty good show. The other characters however are pretty consistent, which is good.
This brings me to the amazing cast. Jessica is played by Krysten Ritter, who brings across the characters sarcastic self-loathing perfectly. Then there's David Tennant, who's awesome as Kilgrave for all the reasons I've previously mentioned. Mike Colter really manages to sell the "retired hero" sort of thing that I think they were going for with this version of Luke Cage. Wil Traval is good as ex-soldier and current cop Will Simpson. He's a tough son of a gun and seems like he genuinely feels bad about what he did while under Kilgrave's control. It's just a shame he had to be written out of the show.
Rachael Taylor works well as Trish Walker, the former child-star with a traumatic upbringing she'd like to forget. I'm not really sure what else I can say about most of the other members of the supporting cast.
However, there is one specific stand-out that I want to bring up. Eka Darville is in this series as Jessica's Neighbor Malcom Ducasse. Eka Darville is one of my very favorite actors. For those who don't know, Eka Darville played Scott Truman, the Red Ranger in one of my favorite television series of all time, Power Rangers RPM. Eka Darville, like the others in the RPM cast is a tremendously talented actor, who has been criminally underutilized. He's got a great range, and at this point I'm almost convinced that he can do anything and make it great. The sheer gulf between Scott and Malcom is astounding, with Scott being the confident leader type who tries to find the best approach to a situation, and Malcom being this formerly bright and sunny character with noble ideals who was drug into the Kilgrave conflict against his will, forced to become a drug-addict and subsequently forced to overcome it. Malcom does dark things that he knows is right, but it eats himself up inside to the point where it actually causes Jessica's team some trouble, while Scott was the moral center of his team, not because he wanted to be or because he was just there to fill that role in the ensemble like some Rangers are, but because he knew what Corinth needed, and was able to fill that role better than almost anyone else could. For that reason, the characters are basically polar-opposites, as they display different emotions in different ways. Not even just emotions, but also entirely different body-language, tones of voice, method of speaking, gait, and everything. Where Scott had a confident stride, Malcom has a nervous sort of shuffle.
All in all, the story is pretty good and the characters are good as well. While they could have done with a lot tighter characterization of Kilgrave and Jessica, the show is still entertaining to watch, and interesting as they try and unravel the many mysteries within.
In the end, I give the first season of Jessica Jones an 8.1* rating. It has some troubles towards the end, but if you look past them you've got a dang good Neo-Noire series.

Image from impawards.com

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